On White Hairlines

March 10th, 2010

I just mentioned this to someone and then thought it might be helpful here. A quick little tip. A Quicktip™!

Using white hairlines in logos and stuff. Like you’ve got a big solid colored box and some text inside that’s like Helvetica Neue Light or something. Not really safe to do unless you really trust your printer and you know you or your client will always use them.

Ink on an offset press has volume. Now I don’t know a huge amount about presses so I’m just going to explain it like it was explained to me. But you can imagine a drop of ink like a ball of mud. And when you step on a ball of mud, what happens? It gets bigger.

So this drop of ink gets smashed the same way. By the blanket or something, I’m probably revealing my ignorance here. But it doesn’t matter how, point is it gets smashed. And it gets bigger.

So back to the logo. You’ve got this big area of ‘mud’ and a narrow channel of ‘not mud.’ When the ‘mud’ gets bigger, where does it go? right into the channel. Fills it in a bit, I believe this is called ‘choking.’

Anyway, this doesn’t always happen, and its probably mainly a concern at small sizes. But then, logos are frequently printed at small sizes. So there you go!

I first posted this on the Behance Tip Exchange.

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What Memories Will You Build?

March 2nd, 2010

What Memories Will You Build?

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Here are a couple mailers I did for a local property company. And this is how I pitched it.

People buy homes for a couple reasons. They may buy to ‘keep up with the Joneses,’ or they may buy to make an investment in their future.

People want to feel something about a home purchase, though. A home is not some trinket, a proper home has deep meaning for people with family in mind– and young married couples and their parents usually do.

When a young parent thinks back on his childhood, he wants to give everything that was great about it back to his own child. If a couple doesn’t yet have children, not yet owning a house may be a part of what holds them back — they recognize that childhood should be special, and it sometimes seems shockingly brief.

The mailer meant for young, married renters addresses this directly. On the front, it features an aged photograph of a child doing exactly what we tend to remember most — waiting, probably for his parents or a friend, doing nothing in particular. The snapshot style reinforces the copy, ‘what memories will you build?’

The second side links nostalgia with home ownership by describing the sorts of memories we may have from our youth. It also further reinforces the pun in the tagline — memories are built, just like homes are.

These young couples have parents themselves, and possibly living grandparents. It really goes without saying that grandparents tend to focus on family — doting grandparents is almost a cliche. Like anyone else, these grandparents want to spend time with their families and build great memories — both for them to look back on and for them to leave their children and grandchildren with.

The mailer meant for empty nesters and 60-85 year olds focuses on this audience. The front side uses another aged photograph, this time of a grandfather playing in the garden with his grandson. The photo is from the 1950s — when a grandfather sees this, he thinks ‘my father made time for my children. I want to make time for my grandchildren.’

The second side addresses the frustration seniors may have in balancing home maintenance with the ideal ‘extended family life.’ Texas Premier Homes offers to free them up to spend time and money on their loved ones. The copy on this version directs readers to the phone number instead of the web site, and uses a slightly larger font than the one meant for young married couples.

Essentially, we are targeting two different generations within the same family. Both elements of the campaign incorporate retro, candid photographs to stand apart from the slick, stock photo style of most other direct mail pieces, and are meant to give the entire campaign a sense of time. The tagline ‘what memories will you build?’ includes a small graphic of a house to support the play on words. This concept is flexible enough to be used across a variety of media.

I have chosen to omit typical ‘beautiful new home’ type photos, because we are really selling the emotional concept.

http://www.behance.net/Gallery/What-Memories-Will-You-Build/440477

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Go Time

February 24th, 2010
Go Time

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This is an identity project I did for a local company dealing in aircraft. The logo represents an airplane going around the world, and also looks like the ‘g’ in ‘Go-Time.’ All the stationery prints in Process Blue.

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How To Attend the Addy Awards

February 21st, 2010

When I was getting ready for the Addys, I wanted something to read to give me an idea of what to expect. Most everything I found was from different ad clubs across the country. But I wanted something from the perspective of a first time attendee, like me.

I didn’t find an article like that, but now I’ve attended and figured I’d write one myself.

SOME CONTEXT

I’m a designer in  Amarillo, Texas — we’re a small city in the Texas panhandle. Also, I work at a print shop, not an agency, and I’m just starting out in our ad club. And I went by myself, because I’m a real cool lone wolf like that.

THINGS I OVERTHOUGHT

My invitation said I should wear a sweater, and I did. I wore a sweater with a pair of slacks and some dress shoes. I was pretty worried that I’d turn up and everyone else would be in a suit, but that didn’t happen.

There were some people wearing suits, but it looked like they were further along in their careers than me — most other guys like me were dressed like I was.

The most casual clothes I saw were probably flannels and jeans, and nobody seemed to care.

THE SOCIAL HOUR

The invitation said I should get there at 6 for hors d’oeuvres, but I didn’t want to be the first one there so I turned up around 6:15. I feel like that was just right, everyone else was getting there around then.

I was all keyed up so I immediately made an ass of myself when checking in. A guy I’d met started talking to the guy behind me in line, and I thought he was talking to me. So I injected myself into the conversation like an idiot. And I got my badass social mistake out of the way early.

I checked in, and they assigned me a table. Homebase.

The next 45 minutes or so was social time. We were meant to meet the others at our table, or chat with other people we knew.

AND THEN

We had a damn funny emcee (Chris Smith from the Richards Group). Man, this guy was awesome.

Not much to say about this part. But when they announced a winner, the winner stood up and someone brought the award over. They didn’t have to get up on stage or anything like that. They also showed montages representing the work the winner won for.

After a couple hours, there was an intermission and they did the same for the student Addys. And then there were special awards for those that made huge impact on the local ad community. These winners did have to take the stage. But I guess when you’re ready to get an award like that, you’re pretty much ready for that sort of thing.

DISMISSED

There was no socializing after the ceremony was over. More like ringing a school bell in school, everyone climbing over each other to get to the door. Only real dignified.

AND SO

I wore a sweater and slacks, turned up 15 minutes into the social hour, and met probably ten people. The ceremony was probably like 4 1/2 hours total. And it was pretty fun.

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Swing and a Miss: Mistake Number Two

February 17th, 2010
Mistake Number Two

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I designed and wrote copy for this postcard to help promote a client’s website. The website promised a free educational guide to help countertop buyers save money.

The client didn’t choose this version of the design, but I think its pretty solid so I’m posting it here.

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